Introductions

"Run-of-the-mill" seems like a modestly accurate way to describe myself in terms of horror fandom. In certain respects I find that valuable, since ideally I can make an appeal to those like myself, to those who may be testing the waters, and hopefully to the hardcore horror fans as well. (And I sincerely encourage feedback, especially from the latter.) It wasn't until several years ago, the present time of this writing being December of '09 to give perspective, that the genre genuinely appealed to me and I owe all that to the film adaptation of Stephen King's 'IT'. After that, it was a slow and steady progression that grew into watching more Stephen King film adaptations, then into watching general horror films. In more recent years it's branched from solely films into different mediums, namely: comics (comic books, manga, graphic novels, webcomics, etc.), purely written literature, and different games.

But let's get to the point, shall we? The Darkley Niche is something I've constructed after the comic-in-progress that a friend and myself plan on self-publishing, an anthology of short horror stories much in the same vein as 'Tales from the Crypt' and similar titles. The series centers around a faceless persona we've affectionately dubbed Alan Darkley, the Niche's namesake, and a cast of storytellers whose tales fall within particular subgenres and sister genres of horror. This site is the drawing board, if you will, where everything posted is either a form of research or a roughing out of ideas. It's all relevant in some fashion. By exploring these different horror stories and their mediums a better understanding and influence of the genre, as well as inspiration, can be put into the comic. Even if you have no personal interest in the project, perhaps you can glean something from the reviews and the like. And if nothing else, the Niche will work to serve my own purposes.

Be sure to browse over the column of banners below if you're looking for posts on a particular topic. (And at the very bottom of the blog, if you would like to consult the complete listing of post labels.) Otherwise, scroll down past them to get to the most recent articles. Likewise, refer to the right side for our latest tweets.

Meet The Darkley Storytellers

Meet The Darkley Storytellers

About Myself

My photo
Well, here's yours truly. The name's Drew, in case you were wondering. The Niche is my personal site, while the comic-in-progress is a partnered effort with Don, a lifelong friend of mine. We collaborate on the stories, but my partner's the writer in the outfit while I am the illustrator. This is currently little more than a side project, but we hope to make something of it.

artwork by yours truly

artwork and artist features

movies, short films, TV, webisodes, etc.

frightful films for your year-round festivities

book reviews: consult the niche's necronomicon

comic-related news and reviews

zed in the head randomness

Tuesday, February 9, 2010

randomness: Gay Zombie

My partner in the Darkley comic endeavor and all-around good friend Don linked me this hilarious video. Just a disclaimer: we are not prejudiced towards homosexuals nor do we support actual violence towards people with same-sex preferences. If you'll note, this comedy short pokes fun at homophobics, not so much homosexuals.



I've seen zombies shamble, run, even climb on ceilings ('Day of the Dead' 2008),
but never skip, before. That's a new one.

Monday, February 8, 2010

A.D. teaser


this looks epic -- please let it be

The details seem to be vague right now, but from what I can gather this is the teaser for either a potential or upcoming computer-animated zombie film. The names attached to 'A.D.' are script writer Haylar Garcia ("Freddy vs. Ghostbusters"), animator/director Ben Hibon ("Codehunters"), and producer Bernie Goldmann ('Land of the Dead'). What does A.D. stand for? My guess: After Death. Just keep away from a zombie Jesus and we'll be kosher.

Black History Month, part I

While the recent hype is Women in Horror Month amongst bloggers, February is remembered here in the States, and Canada, as Black History Month. With that in mind, the Niche recognizes the talents of a select handful of the many black men and women who have contributed to the genre with a particular dignity, generally not perpetuating the negative racial archetypes seen, unfortunately, in numerous horror films. (I'm not just referring to blaxploitation flicks, I'm talking to the likes of the Wayans, too, with films such as 'Scary Movie'.) Here are half of a dozen individuals who will be acknowledged this time around. The remaining six will be accredited in a second post. It should be noted that they are not listed in any particular order.

DUANE JONES
(1936-1988)

No respectable list would be complete without Duane Jones, the lead in Romero's 'Night of the Living Dead' (1968) with Judith O'Dea. Jones later went on to star in a lesser known horror film called 'Vampires'/'Abandon' (1986), though I haven't seen this one, myself. Still, this one-hit wonder would be immortalized in zombie horror cinema as the predecessor to the "survivor" role seen regularly in such films.
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TONY TODD
(1954-present)

Portraying the only black, supernatural slasher among the likes of Freddy Krueger or Jason Voorhees in the 'Candyman' trilogy, Tony Todd also cameos in the first three 'Final Destination' films as well as playing Duane Jones' part in the 1990 remake of Romero's 'Night of the Living Dead'. Say "Tony Todd" in front of the mirror five times. Go on, we double-dog dare you.
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KEN FOREE
(1948-present)
"... When there is no more room in Hell, the dead will walk the earth."

'Dawn of the Dead' (2004 remake) was one of the first real zombie films that I had seen early on, aside from 'Shaun of the Dead' (2004) and 'Resident Evil' (2002). Something between the background music and Ken Foree's televangelist message gave me a sense of legitimate dread. Probably just the very notion of a zombie outbreak as something more than an infection, rather a form of apocalyptic punishment in the likes of Revelation. While Foree will always bring the remake to mind first for myself, he is better known in the original '78 film by George A. Romero. Some additional film appearances by Foree include: 'From Beyond' (1986), Rob Zombie's 'Halloween' (2007), and 'Zone of the Dead' (2009), among others.
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KEITH DAVID (WILLIAMS)
(1956-present)

Personally, I'm more familiar with Keith David's talents as a voice actor than a physically present one. Voicing Goliath from Disney's 'Gargoyles' ('94-'97) and Al Simmons, a.k.a. Spawn, from HBO's 'Spawn' ('97-'99) television series, his rich and deep vocals are easy to recognize. However, David has acted live in such films as John Carpenter's 'The Thing' (1982) and 'They Live' (1988), as well as 'The Puppet Masters' (1994) and 'Pitch Black' (2000).
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BENJAMIN "SCATMAN" CROTHERS
(1910-1986)

A regular jack of all trades, "Scatman" Crothers was an actor, dancer, musician, and singer. To horror fans he is best remembered as the Overlook Hotel's cook, chef Dick Hallorann, in Kubrick's 'The Shining' (1980). Crother's character is the whole reason behind the title of the story, telling Danny Torrence, "I can remember when I was a little boy. My grandmother and I could hold conversations entirely without ever opening our mouths. She called it 'shining'..." Crothers also appears in 'Twilight Zone: The Movie' (1983) in the second segment of the film, a remake of the episode "Kick the Can".
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TIM REID
(1944-present)

Much for the same reason that Ms. O'Toole earned a place in the Niche's "Women in Horror Month" part II, Tim Reid is recognized for his role in the film adaptation of Stephen King's 'IT' (1990). Mike Hanlon (Reid) is key to the story, serving as watchman by remaining in his hometown of Derry, Maine to keep vigil for Pennywise's reemergence and calls the other "Losers Club" members together. Granted, while this is his main contribution to horror, Reid proves himself more than capable of adapting to the genre.

Sunday, February 7, 2010

Goosebumps: The Curse of the Mummy's Tomb

Presenting the fifth, on-going installment of the Niche's R.L. Stine series reviews, here's 'The Curse of the Mummy's Tomb'. (WARNING: spoilers ahead)


Getting in touch with their Egyptian roots, Gabe Hassad and his folks are visiting the land of his grandparents (who emigratted to Michigan, earning some brownie points from myself) during Christmas vacation. A vacation not entirely for pleasure, however. The Hassads operate a refridgeration company with the hope of garnering some business. Mildly ironic, since Gabe complains about his parched throat as they stop by the Great Pyramid of Giza for some sightseeing. As it so happens, Gabe's Uncle Ben is currently head of an excavation crew working inside the pyramid. When an unexpected business meeting comes up, Gabe is given the option of either going with his folks to Alexandria or staying in al-Jizah under the care of his cool archaeologist uncle. Tough choice. In a heartbeat, Gabe chooses to stay. The only catch is that his boastful and competitive cousin Sari is also visiting. Attending boarding school in the States, she has taken advantage of the holiday break to see Uncle Ben, her father.

After Gabe's parents leave to catch their flight, he starts to grow paranoid as the time passes in the quiet hotel room. A small, mummified hand that Gabe had bought from a garage sale, a "Summoner" according to the seller, helps to pacify his nerves. Then, as if playing on his private fears, a shadowy figure slowly staggers into the room: a mummy. However, it's when Gabe recognizes the eyes beneath the wrappings that he regains his wits. It's none other than Uncle Ben, who, as Gabe describes, has a pension for pranks. Sari follows in shortly afterward when Uncle Ben has been found out, having a laugh with her father at Gabe's expense. This rivalry between Gabe and Sari constantly surfaces during the story. But Gabe is soon in good spirits again as they have dinner together, discussing Uncle Ben's latest findings. Discovering an unmarked passage beneath the Great Pyramid, Ben hopes to uncover the hidden burial chamber of Pharaoh Khufu.

The next day, Ben guides the children through the underground maze of stone tunnels, instructing the two to remain close. As they walk, Gabe's uncle teases him a little about curses. Warned by one of the workers, the team had apparently violated an ancient decree, thereby activating some sort of curse. As Gabe is introduced to the excavation crew, we meet Achmed, a man from the university (which university is never specified) who keeps making claims of the curse. Requesting to observe the dig, Achmed rarely speaks with the exception of his curse-related rants. Normally we would dismiss this character as a superstitious local. However, his unsettling stares lead one to suspect something more sinister at hand with Achmed, and rightly so.

After some expected antics from the children, namely exploring the tunnels unsupervised and incurring Uncle Ben's ire, Gabe and Sari run into Achmed the following day. Again unsupervised, the kids came to the Cairo Museum together without Ben's knowledge. Achmed claims that he was sent to fetch them, but when they drive in a direction heading away from the hotel the children realize that they're being kidnapped. Fortunately, Cairo traffic is slow and congested, allowing the children to jump out of the moving car without injuring themselves. Disoriented at first, Gabe and Sari manage to lose Achmed and find their way back to the hotel with some local help. Ben returns to the hotel room where the children were waiting, anxiously telling him of what has happened.

Normally in this situation any sensible adult would go to the authorities, but not so here. Instead, Uncle Ben is too occupied with getting to the bottom of this alleged curse, which has, in the meantime, resulted in hospitalizing two of his workers. At first he's inclined to simply leave the children alone in the hotel room. But after some begging from Gabe and Sari, he decides as an afterthought that it's better to take them along, back to the pyramid. Back to the pyramid. And just the three of them, on top of it. So, after getting split up in the tunnels and finding one another again in a mysterious, mummy-filled chamber, who should appear but Achmed. As it turns out, this happens to be "the sacred Preparation Chamber of the Priestess Khala", which they have violated. (It didn't help matters that Sari was playing in Khala's sarcophagus earlier, either.) A descendant of the priestess, Achmed has taken the hereditary charge of disposing of such intruders, according to her ancient wishes. Live mummification seems to be the preferred method.

Uncle Ben, proving his ineptitude again, tries to reason with Achmed, "as scientist to scientist". Achmed makes his rebuttal by royally cracking Ben over the head with a torch, knocking him unconscious. (You can't win in an argument against a zealot.) Sealing him inside a mummy case, Achmed forces the children to share one together and likewise seals them inside. In the meantime, a tar pit has been ignited in preparation for the mummification process. As Gabe and Sari await their horrendous demise, Ben redeems himself, slightly, by escaping his own case and freeing the children from there's. It happens that many mummy cases have escape hatches, meant for the soul of the corpse to leave. Funny how that little detail slipped Achmed's mind. Regardless, Achmed is no longer present for the time being, so they take the opportunity to leave.

The Hassads near the pyramid entrance, only to be cut off by Achmed and herded back into the chamber at knifepoint. Moving them towards the tar pit, he means to have the family fall into it, one by one. Then, without any thought, Gabe whips out the "Summoner" mummy hand. Bewildered, Achmed cries, "The hand of the Priestess!" along with words in an intelligible tongue. Adding to Achmed's horror, as well as the Hassads, the mummies within the chamber begin to rise. Nearing, Achmed defensively sets one aflame with a torch, but to no avail. The horde of undead shamble towards the tar pit, carrying Achmed above them in their bandaged arms. Together they hold him over the tar, but, after Gabe opens his eyes, sees Achmed flee as the mummies remain by the pit. Then, next thing we know, the mummies are positioned exactly where they were before, as if it had all been imagined.

Back at the hotel room, things wrap up rather uneventfully. (And yes, pun definitely intended.) Sari is grateful to Gabe for saving their lives, finally giving him the one-up over her, while Uncle Ben is fascinated by the mummy hand. "Better not play with it," says Ben, adding, "We must treat it carefully." Then, completely disregarding his uncle, Gabe takes the hand and mockingly calls upon the ancient spirits, to come alive again and to him. As if answering the summon, there's a loud knock at the door. But after the early fake out with Uncle Ben it's easy to predict that it's actually Gabe's parents, not mummies, before they are revealed. At least they didn't dress up in wrappings.

After 'Say Cheese and Die!' went belly up, I was relieved to find that 'The Curse of the Mummy' was much improved. Stine even went so far as to take his characters out of the atypical suburban neighborhood and into more exotic settings. It did, however, get a little redundant toward the end. Kids plea, "No! You can't do this!" Achmed argues, "It is the will of Khala!" -- This goes on back and forth for a while. The dialogue explains the curse and Achmed's motives, but still, those two lines get repeated or rephrased quite a bit. That aside, 'The Curse of the Mummy' was a pretty decent read. The mummy hand was a nice touch. I give it four out of five Goosebumps Gs.
On a side note, Gabe briefly mentions having a pet cocker spaniel back home. If I'm not mistaken, every Goosebumps book so far has had one it it. I find it curious, is all.

randomness: Predator 2 dance


What the...?

Thursday, February 4, 2010

DC's Blackest Night: getting a foothold

Horror seems to have picked up again in more recent years with comics. My guess is that this was in response to the escalation of zombie and vampire films over the past decade. Perhaps I'm mistaken, but that's my personal interpretation. Crossing over into superhero territory, the dominant genre in comic books, we've seen the release of Marvel Zombies and now DC is following suit with "Blackest Night".

To give you some perspective, I fell out of the mainstream superhero books around the time of Marvel's "Civil War" story arc, which forced heroes to either register with the government or continue their vigilantism illegally and go underground. The politics seemed to get too convoluted and the only alternative superhero titles were basically dumbed-down, Saturday morning cartoon reruns that recycled their stories over and over again. Granted, this might be a little harsh, but it was enough of a turn off for me to lose interest. As far as DC goes, if you haven't been reading along regularly, then you're hopelessly lost. Try picking up a typical superhero title and you won't know where to begin. Which is why it's especially frustrating, if you're like me, when you saw this (below). Two words: undead Batman.


Heck, I wasn't even aware that Batman had died until Adam Withers and his wife Comfort Love, friends and fellow artists, informed me during one of my visits to their homestead. Adam pointedly remarked that there was nary a word about it online, not so much as a Tweet, because comic readers have become numbed to deaths in superhero comics. Rarely does anyone significant remain deceased for long, the grave more or less reduced to a revolving door. At least with the introduction of "Blackest Night", however, it gives some "higher purpose" to the DC stories as to why this is. We still know that it's really about sales, but clarifying this continuity of character resurrections would be nice. Ironically, explaining it with "Blackest Night" is in of itself a sales scheme as well.

Picking up an issue of Green Lantern with the "Blackest Night" story arc I found myself, surprise surprise, completely lost. Apparently chaos has been let loose in the DC universe with the addition of six new Lantern Corps, ranging in the chromatic spectrum from primaries to secondaries (red, orange, yellow, and so on, plus indigo), with the Black Lanterns making seven. Though technically speaking, black is the absolute absence from the spectrum. "Blackest Night" also branches out into many of DC's other main titles, such as Superman, Wonder Woman, and the like. So if it wasn't enough to contend with just the Green Lantern series, you have all those to juggle.

Intimidated? The feeling is mutual. While I can't personally guide you through "Blackest Night", I can, however, help give you a foothold. Written by Sean "TheOrange" Corse, his posts "Powet Alphabet: Y is for Yellow Lanterns" and "Powet Alphabet: B is for Blackest Night" provide some essential cliff notes to new and returning readers alike. Also, as silly as it may sound, consult some of the articles on Green Lantern Wiki to expand on particulars mentioned in Corse's posts (ex: William Hand, Nekron, etc.). When "Blackest Night" has settled down I'll ask Adam to elaborate on the story arc, since he's an avid comic book reader and, in particular, a hardcore Green Lantern fan. (The guy wore a Green Lantern shirt under his wedding tux, so that speaks volumes.) Until then, I hope that this proves helpful to those who find themselves in a similar predicament like myself.