Introductions

"Run-of-the-mill" seems like a modestly accurate way to describe myself in terms of horror fandom. In certain respects I find that valuable, since ideally I can make an appeal to those like myself, to those who may be testing the waters, and hopefully to the hardcore horror fans as well. (And I sincerely encourage feedback, especially from the latter.) It wasn't until several years ago, the present time of this writing being December of '09 to give perspective, that the genre genuinely appealed to me and I owe all that to the film adaptation of Stephen King's 'IT'. After that, it was a slow and steady progression that grew into watching more Stephen King film adaptations, then into watching general horror films. In more recent years it's branched from solely films into different mediums, namely: comics (comic books, manga, graphic novels, webcomics, etc.), purely written literature, and different games.

But let's get to the point, shall we? The Darkley Niche is something I've constructed after the comic-in-progress that a friend and myself plan on self-publishing, an anthology of short horror stories much in the same vein as 'Tales from the Crypt' and similar titles. The series centers around a faceless persona we've affectionately dubbed Alan Darkley, the Niche's namesake, and a cast of storytellers whose tales fall within particular subgenres and sister genres of horror. This site is the drawing board, if you will, where everything posted is either a form of research or a roughing out of ideas. It's all relevant in some fashion. By exploring these different horror stories and their mediums a better understanding and influence of the genre, as well as inspiration, can be put into the comic. Even if you have no personal interest in the project, perhaps you can glean something from the reviews and the like. And if nothing else, the Niche will work to serve my own purposes.

Be sure to browse over the column of banners below if you're looking for posts on a particular topic. (And at the very bottom of the blog, if you would like to consult the complete listing of post labels.) Otherwise, scroll down past them to get to the most recent articles. Likewise, refer to the right side for our latest tweets.

Meet The Darkley Storytellers

Meet The Darkley Storytellers

About Myself

My photo
Well, here's yours truly. The name's Drew, in case you were wondering. The Niche is my personal site, while the comic-in-progress is a partnered effort with Don, a lifelong friend of mine. We collaborate on the stories, but my partner's the writer in the outfit while I am the illustrator. This is currently little more than a side project, but we hope to make something of it.

artwork by yours truly

artwork and artist features

movies, short films, TV, webisodes, etc.

frightful films for your year-round festivities

book reviews: consult the niche's necronomicon

comic-related news and reviews

zed in the head randomness

Showing posts with label video (trailer). Show all posts
Showing posts with label video (trailer). Show all posts

Tuesday, April 26, 2011

ZotB: from myth busting to busting zombies


Hey, everyone! Hope all our readers had a good Easter this past weekend.

Recently we came across Jeff Gilbert's Drinkin' & Drive-In, another horror blog that's definitely worth following along. But more to the point, among Jeff's latest posts included an article on an upcoming short film titled 'Night of the Little Dead', an obvious word play on George Romero's claim to fame. Basically, it's about midget zombies. *winces* Can't help cringing a little at that premise. However, while viewing the trailer we spied 'MythBusters' own Adam Savage caught in the ensuing chaos. Who would've guessed? So, if you're as entertained with watching Adam Savage on 'MythBusters' like we are, maybe he will also bring something good to the table, here.

the trailer


behind the scenes trailer

On a side note, one of the "little dead" is performed by Michigan native, Martin Klebba. With Darkley creators Don and myself also being born and raised in Michigan, we get a thrill whenever our home state can make an appearance, even if it's by association with an actor. Heck, Alaska has had more prominent features in horror! No disrespect intended, Alaskan readers.

Martin Klebb getting into costume

Thursday, September 16, 2010

memorial: Kevin McCarthy (1914-2010)

Dana Winter (left) and Kevin McCarthy (right)
in 'Invasio
n of the Body Snatchers' (1956)

If you're a regular follower of other horror blogs like ourselves, then it's likely that you've heard the recent news of actor Kevin McCarthy's passing last Saturday. To the horror community, as well as science-fiction fans, he will be best remembered for his starring role in the 1956, black-and-white film 'Invasion of the Body Snatchers', which would later on inspire a lineage of remakes, parodies, and comparable adaptations.

Much to our regret, we admit not having seen this original feature of classic cinema. But even then, the influence of 'Invasion of the Body Snatchers' is so predominant that it's made its way into other films, such as 'Gremlins' (1984). Kevin McCarthy's close-up and haggard face, yelling, "They're here, already! You're next!" from Billy Peltzer's television set is an iconic image and one, which we're sure was heightened all the more in its black-and-white medium, that is truly haunting.

"They're here, already! You're next!"

This isn't to say that Kevin McCarthy didn't step out of the horror/science-fiction circle, though he was certainly talented enough that he could have remained, had he chosen to do so. Fortunately, McCarthy put his talents to use in other genres, such as drama and comedy. Certainly those of us who went through the Weird Al Yankovic phase remember him as R.J. Fletcher, the conceited arch-rival of George Newman (Yankovic) and his channel crew of upstart underdogs in 'UHF' (1989). But always McCarthy kept one foot in the former, familiar circle and 'Invasion of the Body Snatchers' kept especially close by, even into the remaining years of his acting career.

'Looney Toons: Back in Action' (2003)

Apparently director Joe Dante loved 'Invasion of the Body Snatchers' and Kevin McCarthy, incorporating them into both 'Gremlins' films, 'Piranha' (1978), 'The Howling' (1981), 'Twilight Zone: The Movie' (1983), 'Innerspace' (1987), and the aforementioned movie, seen above.
Kevin McCarthy, at the admirable age of ninety-six, passed away from pneumonia. His life was long, and we're sure that his legacy in cinematic history will live on even longer.

Friday, June 18, 2010

Psycho's 50th Anniversary

"What? A surprise birthday party for me? Aw, you guys shouldn't have!"

Unwittingly in our previous post on the Niche, I made a reference to Alfred Hitchcock's 1960 thriller 'Psycho', since the film in review included an homage of the infamous shower scene. As it just so happened, 'Psycho' turned fifty that very Wednesday. Really, what are the odds of such a coincidence? So in lieu of this movie milestone, we urge you to take time from your hectic schedules to dim the lights, put on 'Psycho', and enjoy this Hitchcock classic.

Here's a little something extra, a behind-the-scenes video with Alfred Hitchcock giving the audience a personal set tour of 'Psycho'. The director's rather dry humor is amusing. But please, unless you've already seen the movie, we recommend that you wait on watching this until after viewing 'Psycho', due to spoilers.

Wednesday, June 16, 2010

The Horribly Slow Murderer

True, while this may constitute as a faux trailer, the video itself is approximately ten minutes long and therefore deserves to be treated as a short film. "The Horribly Slow Murderer with the Extremely Inefficient Weapon" is written and directed by Richard Gale, featuring forensic pathologist Jack Cucchiaio (Paul Clemens), who becomes the target of the relentless Murderer's (Brian Rohan) beatings... using a common, household spoon. Yes, you read right. A spoon. (WARNING: spoilers ahead)

In the immortal words of the Tick, "SPOOOOON!"

It begins in the vein of a cat-and-mouse, psychological thriller with
Jack Cucchiaio stalked by a hooded figure in black with deathly white skin... and again, with a spoon. But the genre takes a turn towards ghostly horror of the 'Ju-on' variety as Jack learns the supernatural nature of his tormentor. Consulting a grotesque mystic (Fay Kato) overseas in the Far East, Cucchiaio learns that the Murderer is a "Ginosaji", which cannot be stopped and follows its prey unto the ends of the earth. Cue the appropriate montage of Cucchiaio pursued across the continents, attacked on both land and sea. Nowhere is Jack safe from the wrathful Ginosaji's spoon.

Visiting a dermatologist and orthodontist would do wonders.

Adding additional humor to the chase, Richard Gale even includes an homage of Hitchcock's 'Psych
o' shower scene. Hilarious! Especially the belly slaps.

"AAAUGH! Why couldn't it be a loofah?"

Finally, pushed to the point of absolute desperation, Jack retaliates with an amassed arsenal of weaponry and explosives for a last stand against the Murderer, 'Rambo' style. Everything fails. Everything. Lying exhausted and bloodied from the merciless barrage of beatings spanning over twelve years, the Murderer closes in for the kill... only to find that after a few hits the spoon has finally reached its breaking point, snapping in two. What now? Is Jack Cucchiaio free of this curse, or does the Ginosaji have more in store for him? We'll let you see for yourse
lves.

"The Horribly Slow Murderer with the Extremely Inefficient Weapon" is a riot, if nothing else for its ridiculous weapon of choice and the Murderer's tenacity. We give it four out of five spoons.

Monday, June 14, 2010

randomness: Scary Mary

I've already seen this parody trailer of Walt Disney's 'Mary Poppins', but had nearly forgotten about it until this afternoon. Of all the people to possibly remind me this video, it happened to be my mother; a woman who startles so easily that I have to consciously make my footsteps louder when her back is turned, else she nearly jumps out of her skin when she notices someone is in the same room. But I digress. What's most amusing about "Scary Mary" is that it makes for a rather believable horror film trailer. If it were real, I would watch that movie. The same goes for 'Gobstopper', as well.


It's like 'Supernanny's Joanne Frost meets 'A Nightmare on Elm Street's Freddy Krueger.

Thursday, May 27, 2010

Gobstopper

♪ Who can take a sunrise, sprinkle it with dew? Cover it with choc'late and a miracle or two? The Candy Man. Oh, the Candy Man can. ♫

Nope, we're not talking about Daniel Robitaille, i.e. Tony Todd as Candyman. Nor are we talking about Willy Wonka... Well, not Mom and Dad's 1971 musical with Gene Wilder, anyway. (Although that creepy boat ride deserves credit, we'll give it that.) More like a dark parody that perverts what made the former charming. Example? Imagine if the directors of 'SAW' or 'Hostel' got their hands on the old screenplay and went, "Yeah, we could have a landscape of gumdrop trees and chocolate rivers... But how about a dank and decrepit factory warehouse, instead?"

And of course the teens turn out to be the secret ingredient to Wonka's chocolate. Hang on, didn't 'Epic Movie' do this already? (For the record, don't watch it. Just... just don't. Seriously Crispin Glover, you can do better.)

Crispin Glover as "Willy" in 'Epic Movie' (2007)

Sounds rather lame, doesn't it? However, writer and director Eric Appel does what is essential for a premise of such ludicrousness to actually work: make it a black comedy. Right from the get-go of the 'Gobstopper' trailer it's made obvious. Case in point, take it away atypical, comedy relief guy.

Girl #2: "Guys, look at these weird, old candy bars."

C.R. Guy (right): "My boner's got weird, old candy bars."

Oh, you card, you. You can tell from the other guy's incredulous expression that he must be thinking, "Really? -- Really?" or something similar. But I digress.

The real stroke of genius was casting Christopher Lloyd as Willy Wonka. He can do comical and creepy all at the same time. (ex: 'Dennis the Menace') Not too many actors can pull that off effectively. Sorry Johnny Depp, but you were creepy in a more Michael Jackson sort of way. Even then, the "creep factor" was unintentional on your part or Mr. Burton's, I'm sure. (We're Burton and Depp fans, so don't be hating. Same with M.J., at least musically speaking.)

Johnny Depp (left) as Willy Wonka and Michael Jackson (right) as, well, himself

From what I understand this is a faux trailer, although it could make for an amusing movie. There are plenty of flop films out there that would be halfway decent if they were done as a black comedy. Pity that 'Gobstopper' doesn't go all the way to the silver screen, or even direct-to-video. Still, it stands well enough on its own as a trailer. 'Gobstopper' gets four out of five "weird, old candy bars."


Monday, March 29, 2010

postcard zombie prints: NotLD's Karen Cooper

Here's the fourth postcard-sized print in my series of cinematic zombies, Karen Cooper (Kyra Schon) from Romero and Russo's 'Night of the Living Dead' (1968).


Aside from the gruesome discovery of young Karen devouring her father's remains, the most memorable bit of this sequence was the stabbing of her mother with a bricklayer's trowel. In some respects, the "ghouls" of 'Night of the Living Dead' were more revolutionary than their modern, shambling (or in some cases running) counterparts. After all, these were tool-users. Additionally, unlike Romero's later adaptations, these zombies seemed to have an immediate grasp of the concept. In films like 'Day of the Dead' and 'Land of the Dead' it was a gradually learned process, whereas in this first film it was instinctive. Personally, that notion instills a greater sense of dread. I wanted to convey this in Karen, capturing her with the trowel raised in hand menacingly.

These prints are for sale, so send me an e-mail if you are interested in purchasing. My current asking price is $2.50 USD each ($8 for four prints), plus an additional $2 for mailing costs. Prints will include my personal signature as well. There will also be no watermark, as seen here.

NOTICE: The background is the original poster artwork from the film. It's a filler and gives recognition to the movie from which the depicted character is derived from.

Previous postcard zombie prints:
*Trash from 'The Return of the Living Dead'
*Tarman from 'The Return of the Living Dead'
*Cemetery Zombie from 'Night of the Living Dead'


Thursday, March 25, 2010

five-dollar bin finds

Today I took a page from Rhonny Reaper's book, owner of the Dollar Bin Horror blog, and did a little bin diving of my own. Most Walmart stores have a five-dollar movie bin that circulates its selection from time to time. Usually it's compiled with clutter, namely mainstream flops and independent unknowns, but every so often there is a gem or two to be found. Case in point this time around, 'Night of the Living Dead' (1990 remake) and 'Dawn of the Dead' (2004 remake).


Now, some might argue otherwise, as remakes tend to be rather controversial at any rate. It's probably safe to say that the latter has received a better overall reception than the former, though it seems rather odd since 'Night [...]' was more true to the original film. Personally, I find both films to be rather good. But I digress.

There were several other discounted DVDs that I did find awfully tempting (ex: 'The Skeleton Key' and 'Land of the Dead'*), but working on a very limited income keeps me mindful. These two were necessary. And it is necessary since reference material is crucial to my current illustration project, the postcard zombie prints series. Granted, I have and will be renting many of the other movies and it would have been cheaper to rent these two. However, it only cost a few dollars more to own them, so I splurged a little.

I can't say with any real certainty that I will use these specific remakes in my illustrated series before the comic convention in mid-May. There are a plethora of original zombie films that I plan to make headway on, so the remakes will have to take a backseat. Eventually, though, I would like to get to these.

In the meantime, I can still enjoy re-watching these two Romero remakes. If you haven't seen either, I suggest that you watch the originals first. As far as 'Day of the Dead' (2008 remake) goes, well, in my opinion you aren't missing much if it gets stepped over. It does have its moments, I will give it that.





*'Land of the Dead' will be included in the illustrated zombies series, however I have already rented this video. Otherwise, I might have been inclined to purchase this one as well.

Wednesday, March 24, 2010

postcard zombie prints: NotLD's Cemetery Zombie

Here's the third postcard-sized print in my series of cinematic zombies, the Cemetery Zombie (Bill Hinzman) from Romero and Russo's 'Night of the Living Dead' (1968).


Hinzman's zombie appears at various points throughout the film, but the scene most memorable to myself is his attack on Barbra (Judith O'Dea), when she is trapped inside her brother's car. Something about the way he slammed his palms against the windows made it intense, so it seemed to me that it would make a dynamic pose in this print.

These prints are for sale, so send me an e-mail if you are interested in purchasing. My current asking price is $2.50 USD each ($8 for four prints), plus an additional $2 for mailing costs. Prints will include my personal signature as well. There will also be no watermark, as seen here.

NOTICE: The background is the original poster artwork from the film. It's a filler and gives recognition to the movie from which the depicted character is derived from.

Previous postcard zombie prints:
*Trash from 'The Return of the Living Dead'
*Tarman from 'The Return of the Living Dead'


Tuesday, March 23, 2010

Quirk Books trailers


Likely you have at least heard mention of one or more of the titles published by Quirk Books in the past two years, such as: 'Sense and Sensibility and Sea Monsters', 'Pride and Prejudice and Zombies', or the most recent, 'Pride and Prejudice and Zombies: Dawn of the Dreadfuls'. ('Abraham Lincoln: Vampire Hunter' was written by Seth Grahame-Smith, author of 'Pride and Prejudice and Zombies', but released instead through Grand Central Publishing. It doesn't fit the theme of the other books, so this makes some sense.) Aside from their unique twist on the classic literature of English novelist Jane Austen, these released horror-injected remakes included their own film trailers. I'm no bibliophile by any means, but it seems rather rare for such a thing in the world of books. So here are the trailers to two of the aforementioned novels.




Saturday, March 20, 2010

postcard zombie prints: RotLD's Tarman

Here's the second postcard-sized print in my series of cinematic zombies, the Tarman (Allan Trautman) from 'The Return of the Living Dead' (1985). There's also a cameo of Tarman in 'The Return of the Living Dead: Rave to the Grave' (2005), which did an awesome rendition of the zombie, but I decided to opt for the original version instead. These prints are for sale, so send me an e-mail if you are interested in purchasing. My current asking price is $2.50 USD each ($8 for four prints), plus an additional $2 for mailing costs. Prints will include my personal signature as well. There will also be no watermark, as seen here.


This takes care of my current objective for 'The Return of the Living Dead' zombies, but I may be inclined to revisit it later to create a couple more prints, like the Yellow Cadaver zombie. In the meantime it's on to George A. Romero's movies, starting with the 1968 classic, 'Night of the Living Dead'. Expect to see the Cemetery Zombie (Bill Hinzman) sometime next week.

NOTICE: The background is the original poster artwork from the film. It's a filler and gives recognition to the movie from which the depicted character is derived from.

Previous postcard zombie prints:
*Trash from 'The Return of the Living Dead'


Thursday, March 18, 2010

postcard zombie prints: RotLD's Trash

While it's not affiliated with the Darkley comic project, it seems appropriate to post this here at the Niche. For an upcoming comic convention in May, I'm illustrating a series of postcard-sized prints of zombies (including infected types, like '28 Days Later'), specifically those from movies. The agenda is to finish one print per week, two if I'm feeling adventurous. These are also for sale online, so send me an e-mail if you are interested in purchasing. My current asking price is $2.50 USD each ($8 for four prints), plus an additional $2 for mailing costs. Prints will include my personal signature as well.


So this week we have that infamous pink-haired punk rocker, Trash (Linnea Quigley), from Dan O'Bannon's 'The Return of the Living Dead' (1985). As an added bonus the Tarman zombie is also included in this illustration, who appears to be rather smitten by her. Next on the agenda is the Tarman zombie, himself. Then it's on to Romero's zombies.

NOTICE: The background is the original poster artwork from the film. It's a filler and gives recognition to the movie from which the depicted character is derived from.


Wednesday, March 10, 2010

My Pet Monster

Maybe you remember this furry blue guy growing up, like I do. Now, I never saw the cartoon, movie, or children's books. Heck, I didn't even think that this plush plaything had a franchise until I learned about it recently. (Funny what you can accidentally stumble across on YouTube.) All I recall is seeing this guy among my friend Don's collection of toys when we were younger. It's a shame that he doesn't have it anymore. Would have been nice to include a photo in the post, for nostalgia's sake. I'll make due with an anonymous picture, instead.


And a little fan art made by James Groman of a more, well, monstrous rendition of My Pet Monster. Might want to keep the kiddies away from this version.


For those who aren't in the know, you're likely wondering exactly what is My Pet Monster. The toy was created by American Greetings, as in the card company, back in 1986 and since then came to grow in popularity with children during the following years, spawning a live-action direct-to-video film (1986), the animated thirteen-episode series (1986-87), and related merchandise. The video and series vary significantly in plot, but share common characteristics. The former is about a boy named Max, who is changed by an ancient, magical statue into the "pet" monster in Hulk-like transformations whenever he gets hungry. (That sounds rather familiar.) The latter follows the misadventures of Max, Chuckie, and Melanie, a circle of kids who have befriended the monster that turns into a doll with magical shackles. On an amusing side note, apparently a number of the voice actors later went on to work in another children's horror cartoon series, namely 'Beetlejuice' (1989-91).





Watch the movie, as well as episodes from the animated series, at YouTube.

Wednesday, March 3, 2010

Abraham Lincoln: Vampire Hunter, prelude

From the author of 'Pride and Prejudice and Zombies', which will soon be followed by 'Dawn of the Dreadfuls'* (release date of March 23rd), a prequel to the former, comes another historical fiction/horror novel. 'Abraham Lincoln: Vampire Hunter' follows the sixteenth U.S. American President's lifelong vendetta against nineteenth century vampires.


It sounds good in theory, but the premise seems to reverberate somewhat with that of 'The Washingtonians'. Granted, the latter has cannibals, not vampires. But I couldn't help drawing a parallel, at least in my own mind. (The axe used in the Lincoln trailer didn't help, either. Yes, I recall that Lincoln was known to be handy with an axe, but Washington has garnered an association as well, even if it is a myth.) Still, I'm sure that this novel will make for an interesting read.

Besides, how can you not give it a try after watching the trailer? How many books even have trailers for that matter? And while we're on the subject of film, apparently Tim Burton and Timur Bekmambetov, according to The Hollywood Reporter, are teaming together to make a movie adaptation of said book. If Tim Burton is on board with the story then I'm certainly willing to give it a read.

Here's Amazon.com's review:
"Indiana, 1818. Moonlight falls through the dense woods that surround a one-room cabin, where a nine-year-old Abraham Lincoln kneels at his suffering mother's bedside. She's been stricken with something the old-timers call 'Milk Sickness.'

'My baby boy...' she whispers before dying.

Only later will the grieving Abe learn that his mother's fatal affliction was actually the work of a vampire.

When the truth becomes known to young Lincoln, he writes in his journal, 'henceforth my life shall be one of rigorous study and devotion. I shall become a master of mind and body. And this mastery shall have but one purpose...' Gifted with his legendary height, strength, and skill with an ax, Abe sets out on a path of vengeance that will lead him all the way to the White House.

While Abraham Lincoln is widely lauded for saving a Union and freeing millions of slaves, his valiant fight against the forces of the undead has remained in the shadows for hundreds of years. That is, until Seth Grahame-Smith stumbled upon The Secret Journal of Abraham Lincoln, and became the first living person to lay eyes on it in more than 140 years.

Using the journal as his guide and writing in the grand biographical style of Doris Kearns Goodwin and David McCullough, Seth has reconstructed the true life story of our greatest president for the first time-all while revealing the hidden history behind the Civil War and uncovering the role vampires played in the birth, growth, and near-death of our nation..."

Also, in the recent light of stories the likes of 'Twilight', Lord knows vampires need some redemption. Each contribution to help regain the genre's more dignified status quo is welcome in my book. 'Abraham Lincoln: Vampire Hunter' is doing just that, while making use of the period to add some additional flavor to the story.


On a side note, this is the Darkley Niche's fiftieth post. In the grand scheme of things it's a small milestone, but a milestone nonetheless. I'm sure that the Darkley storytellers would celebrate if they were able. Well, perhaps only Vicki. The other storytellers aren't as keen on computers.
__________________________________________

*Read The Zed Word's recent post about this upcoming novel for how to enter to win an advanced copy of 'Dawn of the Dreadfuls' through Quirk Books.

Tuesday, February 16, 2010

My Bloody Valentine (1981)

In the previous Valentine's Day post, I posed the question of which 'My Bloody Valentine' movie would Don and myself watch. It's likely not a real surprise that we opted for the original (1981) first, though we did get partway into the remake (2009) afterward. Perhaps we'll pick up on that later. We have, however, seen several other films since the last review in January, the "double dud" feature. I've simply fallen behind. Expect to see some multiple film features down the road. In the meantime, we're giving this one a solo since it's been so long. (WARNING: spoilers ahead and some gruesome screenshots)


The back story that follows bellow isn't actually revealed until a bit further into the film. However, this seems like a more effective way to write out the review by doing it chronologically, rather than interrupting the flow with flashbacks.

In Valentine's Bluff, the holiday from which the small, rural town gets its namesake has dark undercurrents in the midst of an otherwise cheerful celebration. The Valentine's Day Dance is a hundred-year-old tradition that is anticipated by all the townsfolk. Or at least it was, until the tragedy that took place twenty years ago. Aside from the annual dance, the town's lifeblood is in its coal mines. As it happened, it was the evening of the Valentine's Day Dance when five miners were trapped underground due to a methane gas explosion. The accident was, in fact, negligence on the part of the two supervisors on duty, who had left early before seeing the men safely out or checking the gas levels.

Harry Warden, traumatized

After six weeks of digging, a rescue crew unearthed only one survivor, Harry Warden (Peter Cowper), who managed to stay alive by eating his dead comrades. Needless to say, the trauma drove Warden mad and spent the next year in the state mental hospital. Exactly one year after the mining tragedy, Warden returned to Valentine's Bluff to enact revenge on the supervisors. Their hearts were found at the town union hall, where the dance is held, in a pair of Valentine candy boxes along with a written warning: never hold another Valentine's Day Dance, ever. Since then, Valentine's Bluff has done just that, until now.

supervisors' hearts left at the union hall

Flash forward twenty years later. Two miners separate themselves from the crew down an empty shaft. Alone, one of them is revealed to be a young blond woman after stripping halfway down, exposing her bra and a heart-shaped tattoo on her left breast. The other figure, who we'll refer to as the Miner, remains in full uniform, leaving the mask on as she playfully strokes the breathing tube suggestively. After she guides the Miner's hand to her left breast his hand starts to shake, apparently now just noticing the tattoo. His whole body quakes, grabbing onto her arms, and violently thrusts her against a pickax protruding from the wall behind her, effectively impaling her just above the inked-in heart.

The scene changes, though how much time has lapsed is not revealed, to a crew of miners returning topside as a caption reads that it is Thursday, February 12th. As the men shower we learn that T.J. Hanniger (Paul Kelman, 'Black Roses'), one of the men present, has returned after a long absence from the town and that his old girlfriend, Sarah (Lori Hallier, 'Friday the 13th: the series'), is in a relationship with T.J.'s friend Axel Palmer (Neil Affleck, 'Scanners'). Awkward, to say the least. Regardless, things seem to be "okay" on the surface. Finishing their showers and getting dressed, the men hurry out to drive on over to the union hall, banjo music accompaniment enhancing the haste (as well as hick feeling). Over at the hall, the men meet up with their sweethearts, who are helping to decorate for the upcoming dance.

"Git 'er dun!" or in this case, "Git 'em up!" -- ah, hicks

Meanwhile, Mabel Osborne (Patricia Hamilton, 'Friday the 13th: the series') and Mayor Hanniger (Larry Reynolds, 'Friday the 13th: the series'), T.J.'s father, discuss the reinstatement of Valentine's Bluff's festivities. Mabel, a kindly lady who runs the launderette, is excited about the dance, but Mr. Hanniger is more cautious. Asking that Mabel avoid mentioning that it's been twenty years since the last, you can tell that he's trying to keep the memory of Harry Warden and the murders under wraps. "My thoughts, exactly," she replies, abruptly followed by Howard Landers (Alf Humphreys, 'Final Destination 2'), one of the miners and annoying goofball, scaring the living daylights out of the poor woman with a fake, bloody gash on his head. Way to be a d**k, Howard. But at least he helps Mabel pick up the box that she dropped and its contents. Don pointed out that Howard was reminiscent of lame prankster Shelly from 'Friday the 13th part III', which I had to agree.

Shortly after, Chief Jake Newby (Don Francks, 'Goosebumps' series) also swings by the union hall to check up on the decorating progress, but more specifically to see Mayor Hanniger about a meeting. Before the two get to the chief's truck, Howard catches up to deliver a heart-shaped candy box to Mr. Hanniger. It was already there at the hall before anyone arrived to decorate, but it was addressed to the mayor. Neither Mabel nor Chief Newby confess to leaving the gift when asked, but he is happy to have it, saying, "If there's one thing I like better than Christmas candy, it's Valentine's candy!" But as the mayor and chief drive toward the aforementioned meeting, delight turns to dread when Mr. Hanniger reads aloud the note included with the gift: "From the heart comes a warning filled with bloody good cheer. Remember what happened as the fourteenth draws near." Horrified, Mr. Hanniger looks inside, revealing a human heart lying within.

the mayor's "bloody valentine" -- I would insert a 'Forest Gump' reference, but it seems too hokey

Later, the guys and gals enjoy themselves at a bar called "The Cage", drinking, playing pool, and five-finger fillet. But it's not long before someone decides to rain on their parade. The bartender Happy (Jack Van Evera, 'Black Christmas' 1974), who apparently has a penchant for retelling the tale, describes the Valentine's Day mining tragedy in gruesome detail. As it turns out the bartender had a firsthand experience, relating that it was he himself who had found Harry Warden in the rubble. Perhaps feeling responsible for the murders to follow, it would explain why he seems so bitter (ironic, with a name like "Happy"). Ending the tale, he sternly warns the young miners and women to forget about the party.

With 'Friday the 13th' already in my mind, this doomsayer seemed rather akin to the character of Crazy Ralph (Walt Gorney). Maybe it's just the curse talk.

"You going to Camp Blood, ain't ya? -- It's got a death curse!"

"I'm tellin' ya now! This town is accursed!"

Of course they disregard his warning, adding insult to the bartender when Howard pops up from below the bar and blows a raspberry, causing the patrons to break into a roar of laughter. "Laugh now," rebukes Happy, "but you'll be sorry you didn't listen to me." But they pay him no heed, convinced that Harry Warden is just a "stupid legend" and resume their merrymaking. After singing a rather lewd song about the bar waitress, Sarah exchanges a few words with her ex-boyfriend T.J., which causes him to leave in a huff. Later, T.J. and Axel would meet up again at the town junkyard, another hangout for the young miners, to have a short-lived p***ing contest. Nothing is really resolved, but Axel tells him to stay away from Sandy.

Elsewhere that evening, Mayor Hanniger and Chief Newby exchange some words of their own. Calling the Eastfield Institute, the administrative office is closed and the nurse on duty can't tell them whether or not Henry Warden is in their custody. Soon after the phone call, a coroner enters the room and relates to them that it is, in fact, a human heart; specifically that of a woman in her thirties. This more or less confirms that it belonged to the murdered blond woman from earlier. While they can't say with any certainty, it would seem that Warden has returned to Valentine's Bluff.

Also elsewhere that evening, Mabel happily adds a few more decorations to her launderette and takes care of some leftover laundry, alone. Outside, an ominous figure watches from the windows, breathing heavily with an unnatural sound to it. As Mabel steps into a back room, the figure enters quietly, leaving a heart-shaped box of chocolates on a nearby table, and moves out of view to wait. Mabel walks back in and notices the box lying out in the open. Cheerfully, she opens the gift, not suspecting what it actually means. Like the mayor's there is a card inside, reading: "Roses are Red, Violets are Blue, One is Dead, And so are You!" Right on cue, the lights switch off and Mabel turns to see the murderous Miner, who chases her into a corner and kills with a pickax. Poor Mabel. I honestly felt sorry for her, which is really saying something for a victim in a slasher flick. As far as stupid teenagers and twenty-to-thirty-somethings go, I have no particular sympathy for them, but a sweet lady like Mabel is another matter.

the Miner with pickax raised

The next morning, Friday, Mayor Hanniger and Chief Newby make less headway on the whereabouts of Harry Warden. A lady in administration at Eastfield Institute tells the chief over the phone that there are no records of Warden, meaning that he has either been released, transferred, or "on the slab". This, of course, is unacceptable to the chief. However, she adds that she can check the microfilms, but it will take several days to check them. With this uncertainty about what happened to Harry, Mr. Hanniger seriously considers canceling the Valentine's Day Dance. What puts the nail in the coffin is Mabel's murder, her body having been discovered in one of the launderette driers by Chief Newby after he notices heart decorations turned upside-down and a fowl smell.

Mabel Osborne's scorched corpse with the heart removed

After being notified, Mayor Hanniger suggests that they call in help from Granville, but Chief Newby, ironically, is the one who is more concerned about what the panic would do to Valentine's Bluff. He has the ambulance team go around back to take Mabel's corpse behind the launderette in private and pressures those present to a cover story, that Mabel died from a heart attack. Before letting them leave, Newby notices a heart-shaped card inside the otherwise empty cavity in Mabel's chest and slips it out. Reading it aloud to Hanniger, the Miner warns: "It happened once, it happened twice. Cancel the dance or it happens thrice." Weighing the words seriously, the Mayor instructs Newby to have all the town decorations taken down, as well as enforce a ban on any sort of parties on Valentine's night. (Meanwhile, the turmoil between T.J. and Axel continues to escalate and Sarah's feelings between the two are torn.)

Well, this simply won't do with the young miners and girls. Gathered around a table at The Cage, the friends decide that with the town on party lockdown, the only place to have one would be in the mines. Yeah, great idea guys. Apparently those gas masks weren't sealed on so tight. At least I'd like to think that's why they're all so stupid. And not the brightest thing to talk about in public, especially when the bartender is right within earshot. At least be discreet about your illegal plans. Although I have to say it was rather amusing when he insults Howard right to his face.

Random Friend: "Yeah, in the mine! Where people get killed and eaten."
Howard: "Beware of Harry Warden! ... Woooooo!"
Hollis: "Shut the f**k up!" [directed at Howard]
Happy: "Beware of what you make fun of, you little a**hole."
Howard: "Who?"
Happy: "YOU!"

It was good for a laugh, at least. But even Happy the bartender ignores his sound advice. Deciding rather than tip off Chief Newby about the party, he goes alone to the mines that evening to rig up a dummy dressed as Harry Warden to scare them away. A little inebriated, he plays around with the dummy, which swings a pickax when the lunch room door is opened. On the third time, however, the dummy doesn't swing the pickax. Still, Happy laughs and starts to walk away. Should've kept on walking. However, he is not drunk enough to dismiss it, instead turning around and opens the door again. This time out comes the actual Miner, who swings his pickax upward into the bartender's jaw.

most definitely an "Oh, sh**!" moment

Saturday arrives, bringing along Valentine's Day with it. The day passes by quietly as a few lonely, discarded decorations linger on the deserted streets. As night draws near, the circle of friends drive over to the mines and begin bringing in certain party essentials to the recreation room and kitchen. The festivities kick off as someone puts on some music while others decorate, prepare the food, play a little pool, and, of course, drink beer. Meanwhile at the police station, Chief Newby is given a start when a heart-shaped candy box is left anonymously for him. To his relief, the box only contains ordinary Valentine's chocolates. But it's a bittersweet moment when he reads the card inside, signed by Mabel.

Back at the party, a lesser character, Dave (Carl Marotte, 'Skinwalkers' -- Funny, really, because Chief Newby is on Dave's case and in 'Skinwalkers' Marotte plays as a sheriff.), is murdered in the kitchen by the Miner. How, exactly? By drowning him in a pot of hot dogs and water. As if drowning wasn't bad enough, he has to choke on hot dog water. Moving on, Chief Newby has the sense to drive over to the mines, just as a precaution. Before he leaves the station, however, his attention is diverted to the sound of dogs growling and barking. Outside, Newby finds a few strays circling and lapping at something lying on the sidewalk, a Valentine's candy box with blood pooled around it. Reaching down, the chief picks up a card which states that he did not stop the party. Angered and confused, Newby looks around and yells, "Stop the party... What damn party?!" As for the valentine itself, we can safely assume that there is a heart inside. I would venture to guess that it belonged to the bartender, Happy.

Wait! You said we were just bobbing for hot dogs! *gurgle*

What was only inevitable, T.J. and Axel's rivalry explodes into a brawl between the two. Hollis (Keith Knight, 'Whispers') handles the situation and breaks up the fight, but Axel, hurt more by Sarah's fluctuating feelings, storms out of the room. Likewise, the Miner's blood lust escalates, murdering another twenty-something, Sylvia (Helen Udy, 'Sweet Murder'), but not before frightening her with Happy's corpse hanging from a hook. John (Rob Stein), who was away fetching more beer for his girlfriend, returns to the secluded spot to find Sylvia with her head impaled on a shower nozzle, water and blood flowing intermingled from her mouth. If the friends could use the local authorities, it's now. Unfortunately, just as he pulls up to the entrance gates of the mine, Chief Newby gets radioed in by the police station, learning that the lady from Eastwood is on the phone with urgent news. Making a u-turn, Chief Newby unwittingly leaves the Miner to resume his work.

fetching beer, John completely misses Dave's concealed corpse

Happy's corpse drops in front of Sylvia, dangling on a hook

Worried about Sarah and her man troubles, Patty (Cynthia Dale, 'Alfred Hitchcock Presents') asks her boyfriend Hollis to take them down into the mines for fun. A few others chime in and Hollis, though initially hesitant, lets them convince him. T.J. notices Hollis and five others, including Sarah, leaving. Learning their intentions he tries to stop them, since it is against the rules to take women down. It would make more sense to have a rule set in place for employees only, if you ask me. Hollis, the only miner in the smaller group, assures him that they will only ride the rail carts down and return right back up to the surface. Riiiiight. After all that drinking, can we honestly expect that will happen? On a side note, the music accompaniment that plays while the carts go down into the mines adds a nice touch to the overall atmosphere.

Reaching the bottom, one of the girls points out a tunnel, asking where it leads. Hollis answers that it's an abandoned part of the mine, which they don't go down anymore. Way to set yourself up, Hollis. So of course they want a tour of the tunnel and, same as earlier, Hollis lets them convince him. But it's not too far along their tour that one of the young couples, Mike (Thomas Kovacs) and Harriet (Terry Waterland), decide to split from the small group to have a little private fun of their own. Meanwhile, back topside, Dave's body has been discovered by one of the girls and John soon after stumbles in, stuttering out his own find. Everyone present starts to panic, so Axel ushers them out while T.J. dials for the police. Unfortunately, the lines are down. After everyone else has left, T.J. tells Axel that there are a few others down in the mines. Putting aside their rivalry, the two men hastily don their mining apparel and head underground to rescue them, Sarah specifically.

Down below, Hollis, Slyvia, Patty, and Howard walk back towards the main shaft. Joking about why Mike and Harriet haven't returned yet, they hear the shattering of glass behind them. It startles them slightly, but they pay it no mind. As it so happens, it is the Miner some ways back in the very same tunnel, breaking the electric bulbs that light the pathway. A little later, T.J. catches up and relates to them the murders that have happened topside. However, instead of searching for Mike and Harriet together, T.J. and Hollis split off down opposite directions of the tunnel while Howard waits with the girls. Typical slasher film mistake. Hollis enters the old engine room to find the young couple impaled together by a large drill bit. The Miner emerges from the shadows and plugs a pair of nails into Hollis' head with a nail gun. Hollis, though mortally wounded, manages to stumble out of the engine room and back to the other three before collapsing, dead.

impaled together by a large drill bit

Hollis, murdered -- Doesn't he look an awful lot like Teddy Roosevelt?

In timely fashion, the Miner walks down the tunnel towards the three, effectively scaring off Howard who flees. "Howard, you bastard!" cries Sarah, "You can't leave us like this!" But her plea goes unheeded and leaves Sarah in an awful predicament, prying Patty away from her dead boyfriend all by herself. As the Miner draws closer, however, he cuts off down a side passage. Even with the Miner gone for the moment, Sarah knows that they are still in imminent danger. Patty, understandably, is still in shock and it takes a slap from Sarah to put some sense into her. Axel comes across the two girls and guides them towards the main shaft, dragging along a sobbing Patty most of the way. Nearing a tunnel crossing, Axel spies a spotlight coming from the parallel passage. He swings a piece of lumber at the approaching figure, thinking that it is Harry Warden. Fortunately it is only T.J., who is no worse for the wear.

Earlier, a few friends that fled had found Chief Newby to tell him of the party and murders, so by this time he has now driven back to the mines. Police assistance is on the way, but unfortunately Newby is the only officer on the scene. The rail carts are already underground, as are the elevators, which the chief can't bring back up. Approaching the the elevators at the bottom we see that the control panel has been smashed, likely by the Miner. Instead, they take to the ladder rungs in the elevator shaft and climb upward. Axel takes the lead and during a slip he accidentally pulls a rope, which falls down with Howard, either unconscious or already dead, attached at the end by a noose. A sudden stop in the fall causes the body to decapitate, spraying blood on Patty and Sarah before tumbling again to the bottom.

blood "money shot"

The friends climb down in lieu of continuing their ascent up the ladder to find another way out of the mines. Fortunately, Axel knows of a shortcut to the rail carts. Enclosed in a tight passageway with water up to their knees, Axel waits behind until T.J. gives him the all clear. When T.J. calls, however, his response is a painful grunt, a crack, and a splash. The three hurry back, finding the boarding around a sixty-foot well broken inward and Axel's helmet light sinking down into the cold depths. Knowing that there's nothing that can be done, the three push onward. The girls get separated from T.J. and around a tunnel corner the Miner lunges out, plunging his pickax deep into Patty's abdomen. Sarah retreats and finds a place to hide where she is found by T.J., who was given a crack on the head, earlier.

Above ground, reinforcements have arrived and head into the mines with Chief Newby at the lead. As the police make their way downward, T.J. and Sarah make it to the rail carts with the Miner hot on their heels. The carts start their ascent and the two hop on, but not before the Miner manages to hitch himself onto the last cart. T.J. and Sarah move forward, climbing cart over cart, as the murderer follows and gets within reach. T.J. fends the Miner off with a shovel, then tackles the assailant when his makeshift shield is lost. Sarah jumps off the rail cart after them to give T.J. the shovel and a fighting chance. Forcing them back down the main shaft, T.J. and Sarah duck into a side passage, a ventilation shaft, with a board across the entrance, labeled: "DANGER KEEP OUT". That can't be good. Regardless, the Miner pursues them in.

the Miner closes in on Sarah and T.J.

Haphazardly swinging his pickax around, the Miner lodges his weapon of choice into the passage wall and unsheathes a knife to finish off T.J. Desperate, Sarah reaches for the Miner's mask and pulls it away, revealing not Harry Warden but Axel. The exposure temporarily causes Axel to pause as T.J. can only ask why. In a flashback we learn that Axel's father was one of the two supervisors that Harry Warden had murdered, witnessing the brutal act himself as a boy twenty years ago. The moment of reverie provides T.J. with the opportunity to knock back Axel into a couple of weakened supports, causing the condemned ventilation shaft to cave in. Sarah and T.J. escape through the entrance, but Axel does not follow.

Moments later, Chief Newby and the reinforcements catch up, along with Mayor Hanniger. T.J. tells them that the Miner was not Harry Warden, which the chief confirms. The call that came from Eastwood earlier revealed that Warden had died five years ago. Learning that it was Axel, Newby and Hanniger turn their attention to the ventilation shaft. The men search through the rubble and unearth Axel's moving arm. One of the miners declares loudly that he's still alive, which reaches Sarah. Despite his murderous rampage, she still has an emotional attachment to Axel and hurries back to see. Through a hole in the pile of debris those present witness Axel on the other side, one of his arms severed. It would appear that Axel deliberately hacked off the limb and as he escapes into the darkness, he angrily shouts, "Hanniger! I'll be waiting in Hell for you! [gasps, and cries desperately] Harry! Harry, I'm coming! [resumes shouting] This whole f**king town is going to die! I'm coming back, you bastards! [laughs maniacally] Sarah, be my bloody valentine..."

ah, nothing like a little childhood trauma to build character

"Harry! Harry, I'm coming!"

Well, I can certainly see why 'My Bloody Valentine' is such a slasher classic. The Miner definitely deserves a place among the likes of Michael Myers, Jason Voorhees, and Freddy Krueger. Especially the former, since both are so closely tied to their respective holidays. Frankly, I'm rather surprised that it didn't go on as a franchise like these other slashers. The ending certainly sets itself up for a possible sequel. In the long run, though, it's probably for the best that it didn't. If we've learned anything from the slasher sequels it's that they tend to go downhill. Anyway, the story was great, as were the Miner and his murders. I give it five out of five bloody valentines.